Deaf Club (feat. HIRS Collective) + Fuck Money – “Split EP”

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by Jare C (@jarecurtis)

In the midst of a cultural and political moment rife with intolerance, discriminatory legislation, the restriction of reproductive rights, a genocide, and so much other destructive and hateful chaos, punk music and its offshoots feel particularly appropriate. The spaces (physical, online, and ideological) he creates often feel like the safest place for dissent and the creation of new ideas, as well as an outlet for catharsis, community unity, and overall organizing. In their latest split, three popular bands from the scene and their adjacent communities: deaf club, The HIRS collectiveand fuck money – unifies your sounds for incredibly fast and powerful sound Split EP which it completely surpasses in its incredibly short running time.

The EP offers four tracks in total, two with Deaf Club featuring The HIRS Collective and two solo songs from Fuck Money. Deaf Club, run by Justin Pearson (The Locust, Retox), is a West Coast-based group that has held its ground with hardcore-focused, blastbeat-driven punk for the past five years, and has quickly become one of the innovative drivers within of grindcore. hardcore and punk scenes. On this project, they welcome queercore’s crown jewel, HIRS Collective, to accentuate the chaos and cinematic overload of their two tracks, and the collaboration is nothing short of inspired.

The opening track, “Biblical Loophole,” is a scathing condemnation of the destructive behavior of the ruling class and its religious affiliations and establishments, as well as the systemic oppression that affects anyone, especially marginalized people, who is not a member of the oppressors. ideological regime, and even those who are. The chorus of “Old caretakers don’t care / They’re the undertakers of nowhere” cuts through the track with decisive precision, and the guitar line opens up the entire track to truly cinematic breakdowns. This song segues into an absolutely mind-blowing rendition of Nirvana’s “Tourette’s,” which has been sped up and bled just enough to make the previous version seem tame by comparison. Both bands clean up the song enough that it feels a little more polished and refined than the original, but this refinement in instrumentation and production feels much more reactive and cutting. The moody vocal performance is as fun as it is brave, and everything is incredibly tight and tight.

The last two songs of the split come from the Texan “scrape rock band” Fuck Money, a band that has only been around for a few years, but has managed to build a great reputation as one of the most daring punk projects that exist in today: implementing disparate elements of progressive rock, hardcore, grindcore, noise and industrial. Both tracks here focus on combining melodic lead performances with shredded, experimental instrumentation, with body-bruising breakdown sections that would whip your local hardcore joint into shape. “Rat Queen” is a muddy, crashing track that constantly doubles back on itself, pushing back and forth, with a focus on guitar destruction that would feel very at home in an early Guitar Hero game. . The final track, “Alley Tricks,” is as tedious as can be, with an explosive and destructive progression that opens wide towards the second half. The vocal performance, at once sung, anthemic, messy and chaotic, brings a level of static that the overall track eventually cuts through, leaving the listener pleasantly exhausted by the end.

While tracks from Deaf Club and HIRS Collective definitely do most of the heavy lifting, Fuck Money absolutely fits the moment by collaborating with two such innovative and vital acts on the scene. In this split, you really get a sense of why hardcore, grindcore, and punk are having such a moment right now, and you also get a glimpse of where they’re headed. Not only is it a great listen for any scene-setter, but it’s also probably one of the strongest introductions a newcomer could have to the genres. Absolutely a release to spend some time with and three bands to dive deeper into.



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