Shaitaan box office collection day 5: Ajay Devgn starrer crosses ₹60 crore | bollywood

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Shaitaan Box Office Collection Day 5: The film directed by Ajay Devgn, Jyothika and R Madhavan continues to attract audiences to the theatres. Directed by Vikas Bahl, Shaitaan has done well at the domestic box office. According to the latest update from Sacnilk.com, the supernatural horror thriller has already crossed $60 crores at the box office, although the collection has dropped to single digits. (Also Read: Shaitaan Box Office Collection Day 4: Ajay Devgn, Madhavan, Jyothika’s Horror Film Estimated To Be Made $59.21 cr in India)

Vikas Bahl's Shaitaan released in theaters on March 8.
Vikas Bahl’s Shaitaan released in theaters on March 8.

Shaitaan Latest Box Office Update

The report claims that Shaitaan has collected around $ 5.78 crore on its fifth day of release, which is its first Tuesday. The film performed well over the weekend, where it saw a rise in numbers, but then fell on Monday, racking up $ 7.25 crores. According to the report, the fifth day earnings are the lowest for the film yet, and the total gross is estimated to be $ 67.03 crores. The report also added that Shaitaan had an overall Hindi occupancy of 11.12 per cent on Tuesday.

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About Shaitaan

Did you know that Shaitaan is the Hindi remake of the 2023 Gujarati horror film Vash, written and directed by Krishnadev Yagnik? Presented by Jio Studios, Devgn Films and Panorama Studios, Shaitaan is produced by Ajay Devgn, Jyoti Deshpande, Kumar Mangat Pathak and Abhishek Pathak.

The film revolves around a fateful night when an uninvited guest (played by R Madhavan) enters a family’s remote farmhouse in the hills and claims to have hypnotized Janhvi (Janki Bodiwala), who plays the daughter of Ajay Devgn. Jyothika plays Ajay’s wife.

An excerpt from the Hindustan Times review of the film said: “The chills and chills that accompany Shaitaan are not because the film and the situations its script evokes are actually, genuinely and organically horrible. They arise as a product of the situational response model that twisted psychological thrillers and hostage dramas always offer. “Vikas’ film takes both subgenres and tosses them in an over-the-top sauce of the supernatural.”

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